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Christopher Campbell

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Painting Process

View fullsize  Autumn studio panorama: priming linen on aluminum composite panels, 2020-10-19. [Worklist, foreground right: 1.2019.004]
View fullsize 2.2020.043
View fullsize 2.2020.039
View fullsize 1.2017.001
View fullsize 1.2019.007
View fullsize 2.2019.017
View fullsize  Two paintings on exhibition with the Classic Gallery, Art Beijing, 2019-04-30. [Worklist, left: 1.2016.009, right: 1.2012.015]
View fullsize 2.2019.005
View fullsize 2.2019.004
View fullsize 1.2018.003
View fullsize 2.2018.013
View fullsize 1.2017.004
View fullsize  Wind and fast falling leaves, work in progress on a diptych, Lake Zumbra, Minnesota, 2017-10-20. [Worklist: 2.2017.029]
View fullsize  Painting in the autumn with a view through a screen of trees, Lake Zumbra, Minnesota, 2017-10-17. [Worklist: 2.2017.028]
View fullsize  Showing paintings in the studio, 2017-07-16. [Worklist: 1.2011.019]
View fullsize  Studio filled with work in progress, and recently completed work, Pennsylvania, 2016-05-03.
View fullsize  Work on paper mounted and framed to preservation standards: SmallCorp TIG-welded and powder-coated frame, Tru-Vue Optium museum acrylic, pass-through hinges on museum board. 2016-03-01. [Worklist: 2.2015.016]
View fullsize  Working in oil on a support (Arches Huile paper) designed and sized for that medium, Lake Zumbra, Minnesota, 2015-10-13. [Worklist: 2.2015.010]
View fullsize 2.2015.002
View fullsize  Working in powdered charcoal and alkyd resin on polyester film while the snow falls, Gatesburg Ridge, 2014-02-09. [Worklist: 2.2014.001]
View fullsize  In-house studio assistant peeling the Dibond protective film before cutting the smaller panels, Pennsylvania, 2013-09-14.
View fullsize  Unloading a pallet of Dibond sheets (60 x 120 inches, 1.52 x 3.05 meters), Pennsylvania, 2013-08-20. Dibond is an aluminum composite panel, with aluminum faces on both sides of a solid polyethylene core.
View fullsize  Working outdoors to mitigate the dangers of inhaling dry pigments, Gatesburg Ridge, Pennsylvania, 2013-05-13. [Worklist: 2.2013.016]
View fullsize  A powerful supplement to traditional oil paint: dry artist's pigments from Kremer Pigmente, 2013-03-30.
View fullsize  Working with white pine brushes in powdered graphite on polyester film, Pennsylvania, 2012-12-03. [Worklist: 2.2012.030]
View fullsize  A collision of powdered graphite, mineral spirits and raindrops on the surface of a drawing in progress, Pennsylvania, 2012-11-02. [Worklist: 2.2012.029]
View fullsize  Studio with work in progress in pastel, graphite and charcoal, pigmented inkjet print, and oil on aluminum composite panel (Dibond), Pennsylvania, 2012-10-23.
View fullsize  Working on a suite of drawings, Lake Quonnipaug, Connecticut, 2012-07-29. [Worklist: 2.2012.020]
View fullsize  Work in progress, Lake Quonnipaug, Connecticut, 2012-07-28. [Worklist: 2.2012.013]
View fullsize  Drawing on translucent polyester film mounted and framed to preservation standards: SmallCorp TIG-welded frame, pass-through hinges on museum board. [Worklist: 2.2012.002]
View fullsize  Assembling 80/20 aluminum bracing for small oil paintings on Dibond, Pennsylvania, 2012-04-24.
View fullsize  Cutting full-size Dibond sheets down to size for painting support panels, Pennsylvania, 2012-02-20.
View fullsize  Work in progress, oil on Dibond, supported by a grid of industrial crates, Pennsylvania, 2011-11-26. [Worklist: 1.2011.019]
View fullsize 2.2010.023
View fullsize 1.2007.004
View fullsize  Early field drawings in oil stick, Ann Arbor, Michigan, 1993. [Worklist: 2.1993.010]